Whilst the guitars tackle the solo the bass finds itself playing a pattern similar to the bridge but with the first four bars substituted. To end this section play the crotchet triplets under the E chord before descending, with quavers, down the D major scale. I would start with a single note to focus on the rhythm and then introduce the chromatic run.
CRAZY LITTLE THING CALLED LOVE BASS FULL
Missing the first beat of a triplet can be tricky for beginner players so practice full crotchet triplets before removing the first beat. He plays root notes through the E, A and F chords before playing the iconic crotchet triplet break. The bridge starts with walking around the 1st, 5th and 6th of the G and C before playing a descending Bb major scale from the D string. In the third verse there is a quick chromatic fill into the Bb of the solo, treat this as an anacrusis (pick-up) for that section in practice. The short acciaccatura sliding into the third of each chord whilst not essential adds a lot of musicality and style to the line. This pattern is broken with a triplet fill in bar 15, which is quick and crosses onto the G string to end. The verse's are built a round the transposing a major pentatonic walking pattern to each major chord. It is reasonably fast 125bpm so watch out for any fretboard jumps as there is the little time to change positions. The rhythmic feel throughout is swung eight notes throughout with the occasional triplet fills and pushed chord changes. The bass line, like the the rest of the composition, is built round a 50's rock 'n' roll sound although there is some influence from soul and jazz in there for good measure. 'Crazy Little Thing Called Love' is single taken from Queen's album, 'The Game'.
CRAZY LITTLE THING CALLED LOVE BASS DOWNLOAD
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